Theo Cateforis: "Between Artifice and Authenticity: Music and Media in Wag the Dog"Blockbusters! Franchises, Remakes, and Intertextual Practices23. Eleftheria Thanouli: "Debating the Digital: Film and Reality in Barry Levinson's Wag the Dog"22. James Buhler and Alex Newton: "Outside the Law of Action: Music and Sound in the Bourne Trilogy"21. Matthew Sumera: "Understanding the Pleasures of War's Audiovision"20. Dale Chapman: "Music and the State of Exception in Alfonso Cuarcn's Children of Men"19. Jake Smith: "Explorations in Cultureson"Virtual Worlds, Paranoid Structures, and States of War18. Lev Manovich: "Visualization Methods for Media Studies"17.
Warren Buckland: "The Acousmatic Voice and Metaleptic Narration in Inland Empire"Dialogue: Visualization and Sonification16. George Toles: "A Gash in the Portrait: Martin Arnold's Deanimated"15.
Amy Herzog: "'Charm the Air to Give a Sound': The Uncanny Soundscape of Punchdrunk's Sleep No More"14. William Cheng: "Monstrous Noise: Silent Hill and the Aesthetic Economies of Fear"13. Melissa Ragona: "Doping the Voice"Uncanny Spaces and Acousmatic Voices12. Joanna Demers: "Discursive Accents in Some Recent Digital Media Works"11. Caetlin Benson-Allott: "Going Gaga for Glitch: Digital Failure Feminist Spectacle in Twenty-F1rst Century Music Video"10. Lisa Coulthard: Dirty Sound: Haptic Noise in New Extremism9. Marks: A Noisy Brush with the Infinite: Noise in Enfolding-Unfolding Aesthetics8. Will Straw: Public Screens and Urban LifeGlitches, Noise, and Interruption: Materiality and Digital Media7. Sean Cubitt: Large Screens, Third Screens, Virtuality and Innovation6. William Whittington: Lost in Sensation-Reevaluating the Role of Cinematic Sound in the Digital AgeDialogue: Screens and Spaces5. Thomas Elsaesser: Digital Cinema: Convergence or Contradiction?3. Carol Vernallis and Amy Herzog: IntroductionCinema in the Realm of the Digital: Foundational Approaches2. Thematic sections and directexchanges between authors facilitate further engagement with the debates invoked by the text.ġ. Sound, music, and noise emerge within these studies as integral forces within shifting networks of representation.The essays in this collection span a range of disciplinary approaches (film studies, musicology, philosophy, cultural studies, the digital humanities) and subjects of study (Iranian documentaries, the Twilight franchise, military combat footage, and Lady Gaga videos). Chapters explore the history and the future of moving-image media across a range of formats including blockbuster films, video games, music videos, social media,digital visualization technologies, experimental film, documentaries, video art, pornography, immersive theater, and electronic music.
VISIONS ELECTRONICA SERIES
Contributors to the volume look not only to changes brought by digital innovations, but to the complex social and technological past that informs, and is transformed by, new media.This collection is conceived as a series of dialogues and inquiries by leading scholars from both image- and sound-based disciplines.
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